I have written frequently about technology and innovation in the arts over the years and as of last week this topic has become my full time job. I joined Arts Council England (ACE) as its first Director, Arts Technology and Innovation. In this role, I'll have the pleasure of working with arts organisations to help embed [...]
The Frankfurt Book Fair is commonly referred to as the biggest book fair in the world. While I don't know if that's actually true, I can confirm it is BIG. Clearly the publishing industry is trying to spread its wings and explore the interconnections between literature, other forms of culture and creativity and digital technology. [...]
Mind you, I only had one day to look around. Here's what caught my eye: (1) Joey Yaque, (2) Ai Weiwei, (3) Robert Longo, (4) Thomas Saraceno, (5) Michael Rakowitz, (6) Sanford Biggers, (7) Olfur Eliasson, (8) Tony Oursler, (9) Robert Longo, (10) Titus Kasher, (11) Rathin Barman, (12) Oliver Lanc.
I visited the two main sites of the Berlin Biennale 10 this weekend: KW Institute of Contemporary Art and Academie der Kunst. The first artist I encountered was Firelei Baez and her work does not disappoint: she overlays historic maps, architectural drawing and statistical charts with vibrant images which uncover issues of colonialism, forced migration, and [...]
The following commentary originally appeared in ICOM UK weekly news The tragic events of Charlottesville, instigated by the planned removal of a statue of Confederate General Robert E. Lee, highlights the important role we as museums and heritage professionals play in preserving, interpreting and displaying public history. Myself and Edmund Connolly, Head of Communications for [...]
The New York Times opinion page featured a piece called Why the Met Should Appoint a Female Director in response to the resignation of the Metropolitan Museum of Art’s current Director Thomas Campbell. Based on pure probability, I agree: women make up the majority of the workforce in museums both in the US and UK. [...]
This blog was originally published in the Huffington Post. As the seismic repercussions of Brexit and the election of Donald Trump start to reveal themselves, a new imperative for the art world emerges. The referendum and US presidential election reduced a set of complex, interlocking problems into a simple binary decision - the status quo [...]